Tim Finn - Feeding The Gods
There are moments during the first few listens to Tim Finn's sixth solo
album when you think: Surely not.
After all, this comes after 1999's lacklustre Say It Is So - the song of
that title turns up here implying some sort of continuum - and the
well-attended but nothing-to-prove tour with Dave Dobbyn and Bic Runga the
following year with its subsequent big-selling live album.
What's to stop Feeding the Gods being just a stopgap before Finn the elder
re-enters the nostalgia comfort zone again?
So what's with this surely not? Well, Feeding the Gods is quite the
revelation. It's a great, strangely uplifting album, easily the most
satisfying of Finn's solo career.
It's direct, but also hints at early Enz-angularity. It rocks loud, care of
American producer, guitarist Jay Joyce, bassist Mareea Paterson and
betchadupa drummer Matt Eccles. It can get I See Red-fast too, but it's
quietly reflective around the edges.
Through all that, it makes a virtue of - and its energy levels thrive upon
- Finn's vocal performance, its guitar-powered simplicity coming with just
a few extras.
That his voice is in very good nick is apparent from the opening Songlines,
a track that starts a recurring lyrical theme about what it is to have so
much of your life defined by music and performing.
If he's paying tribute to his muse, at least he's been repaid in kind with
some fine songs - and ones not always of his own making. Incognito in
California is a grandly oddball leftover from fellow Enz founder Phil Judd,
which Finn sings with the passion of the eyebrow-twitching loon with the
hazardous haircut that he once was.
And the wiry Mutton Birds-ish rocker What You've Done dates from ALT,
Finn's project with two Irish singer-songwriters which, at the time, had
the faint whiff of men's group about it. The song doesn't.
Add the hushed folk rock of Sawdust and Splinters and Waiting For Your
Moment, the Stereo Bus-meets-Beach Boys jangle of I'll Never Know, the
manic Party Was You and the mad epic finale of Commonplace, and the result
is a dazzling 40 minutes.
It's also that rock rarity: The late-career classic. Surely.
*****
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